Horisont Stiftelsen i Norge. Kunst og kultur. Minoriteter i kunst og kultur. Kulturutveksling med landene i sør.

Links to organisations, artists, concert halls and festival arrangers. Horizon Foundation in Oslo, Norway
 
 
 
 


Organisation

The preliminary project and Mini-Mela laid the foundations for Mela 2002. First and foremost a small secretariat was established. Naweed Amjad was appointed as coordinator. His tasks were to survey and develop a network of contacts and to start preparing the socalled Mini-Mela to be held in the Vaterland Park in 2001 with the purpose of promoting the actual Mela of the coming year.
In accordance with assessments in the report from the preliminary project, The Norwegian National Arts Council and Norway 2000/2005 took the initiative to establish a provisional board under the leadership of former minister of culture Ms. Turid Birkeland with the purpose of preparing the establishment of the Horison Foundation. The founding meeting was held in January 2001 and present as founders were Hundreårsmarkeringen Norge 2005 A/S, represented by Director Jan Erik Raanes, and The Norwegian National Arts Council, represented by Director Ole Jacob Bull.

A board of directors was established which later on appointed Khalid Salimi as Artistic Director/ Executive Director.

The most critical aspect of organising the festival was to establish a well functioning secretariat. The Board of Directors had decided already at the end of 2001 to prioritise this task. However, due to illness and various unfortunate factors, the administration of the secretariat was not set up until the very last months before the festival. This created problems which effected the implementation of the program, and the secreteriat was caught up in minor conflicts. It has been acknowledged that with a better planning, miscommunication and missunderstandings could easily have been avoided. Both the Board of Directors and the staff, however, did their utmost to manage through the Mela festival. However, the production and the artistic work could have been better coordinated than the Mela managed in the short time period available.

One important dimension of the difference occured during the implimentation of the projects, touching upon differences in approach between a typical intellectal milieu and one oriented to event managment . As was emphasized several times, Khalid Salimi has after all worked in leading positions of Norwegian organisations with a predominantly Norwegian staff for more than twenty years, and he is considered well versed in Norwegian ways of organizing work. It is evident, however, that in the present connection he possessed professional artistic competence which was the precise reason for him being chosen. This dimention will have to be taken more seriously provided that this work is to be continued. If so, it shall probably be necessary to establish a secretariat and get planning and also the more logistic and technical parts of the arrangement going at a much earlier stage. This responsibility must rest on the Board.

It is evident, however, that in the continuation better routines for communication and feed-back between leadership and secretariat, and between the units of planning and implementation ought to be found. It was pointed out by both the hired information bureau Apeland Informasjon and by internal employees that much more resources must be spent on the technical espect of the actual implementation, and that this has to be incorporated into the planning at a much earlier stage if it is to be successfull.

By the Pakistani partners Salimi’s role was assessed as one belonging to a person being the only one able to lead the launching of the job at hand with a strong individualist grip. It was for instance expressed in this way: “He is the clue and the key. To understand the whole thing is to understand Khalid Salimi. There is this man who comes to Norway, basically for freedom of expression. Starts the Antirasistisk Senter, starts Samora. Becomes a Norwegian bona fide. Respected but from a certain orthodox perception he is not liked by some. We should have more of the same kind.”
Even though expressions like the one above might, by some, be considered a wee bit too panegyrical, it points to something important. It emphasizes that Salimi is a typical ‘broker’ between Norway and Pakistan and one, among very few, who was in fact able to carry out the present job. It had hardly been possible to insist on Norwegian procedures throughout all the stages; not only beacuse of the time factor but also considering that this is a pilot-project of a quite unique character. On this background it may perhaps be fair to conclude that certain conflicts were hardly avoidable taking into consideration the enormous pressure the staff were working under. It is unrealistic to expect that internal information procedures may be upheld in full in a situation like that. At least the controversies did not in any way lead to a weakening of the arrangement. Still, in hindsight, one may perhaps draw the conclusion that the staff ought to have been recruited from milieus more in concordance with each other.


The Concept

Mela is a meeting place, a tradition well part of the culture of the Asian subcontinent. Melas have lately been organized in various cities of Brittain. Through these Melas the ever increasing importance of the contribution that the Asian immigrant communities represent within contemporary European culture and spiritual life is recognized. The fact is realized that the Asian presence and influence is rapidly on the increase within all walks of social life with regard to both culture, life styles, art and business. The organisers are of the opinion that the Asian population in these countries represent important values like high work ethics, strong academic traditions and strong family values. Through Mela 2002 an attempt was made to visualize and recognize this contribution. Especially it is often emphasized how the Asian communities are innovative and function as promoters of development within culture and social life in general. An interesting feature worth noticing is that the Asian communities are about to take over the focus of this discourse from the African and black American voices. This goes both for the artistic scene and the area of popular culture.

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